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The Version Nobody is Interested In at Théâtre du Trident
Théâtre du Trident
He is handsome, brilliant, irresistible, and absolutely devastating. Don Juan seduces, promises, abandons, and starts again. But this time, the statues have fallen from their pedestals: the old gods, the ancient laws, the moral and religious authorities lie on the ground, toppled. Don Juan is no longer just a libertine; he is the child of his time: a man who understood before anyone else the power of hollow idols. Absent father, abandoned wife, unpaid debts, broken vows, he moves forward, sovereign and smiling, in a world whose rules he has dissolved. Only Sganarelle, his comical and terrified valet, still dares to believe in something... but in what, exactly? The play asks the question with a disturbing modernity: when the statues fall, who remains standing? What values survive the shipwreck of certainties? And if the real scandal wasn't Don Juan himself, but the void he reveals around him?
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